Interculturalism, Migration and Performance in Contemporary Ireland
This project analyses the role of interculturalism in Irish theatre and performance from 1994-2013, hypothesising that Irish interculturalism is unique internationally. Between 1996 and 2011, the non-Irish born population of Ireland grew from less than 5% to 17%. This project assesses Irish strategies of interculturalism as a response to rapid inward-migration.
This project aims to make a major intervention in the field of theatre and performance studies by investigating Irish interculturalism as a social process as well as a technique of aesthetic innovation. It is the first research project to consider the intersection of aesthetic and social theories of interculturalism in both an Irish and European context.
This project will consider the consequences that arise when the arts are used to further state-sponsored intercultural goals. It will examine the work of Irish theatre artists, public festivals and community arts or social organisations that focus on intercultural themes.
This project assesses the limits and possibilities of Irish interculturalism by considering the relationship between its social and aesthetic goals. It will facilitate greater understanding of the relationship between the state, migration, national identities and the arts. This case study poses urgent international consequences amid continuing debates about migration, diversity and social cohesion in the European Union and other national contexts.